Monday, August 31, 2009
Sunday, August 30, 2009
SIDEWALK FINDINGS: WILLIAMSBURG EDITION
Last night, in an attempt to soak up one of the last remaining summer nights, I joined a few friends for dinner at the new Caracas restaurant that opened up in Williamsburg.
On the walk over, we passed a striking window display that immediately caught our attention.
It contained Amy Von Harrington's collection of copper molds, that as a whole, created quite an image. We had to stop for a few minutes, and found ourselves dissecting each mold, and trying to figure out which was each of our favorites (I was torn between one of the large roosters and the pineapple).
There were some pretty great ones in there: a lounging cat, a Victorian-esque house, a patch of mushrooms, various lobster claws...
On such a dark and empty street, to happen upon a display that drew us in with its golden-bronzy glowiness...what an unexpected treat!
Friday, August 28, 2009
Thursday, August 27, 2009
Tuesday, August 25, 2009
Monday, August 24, 2009
The Nazca Lines are a series of giant drawings (sketched onto the earth) that exist in the Nazca Desert of western Peru. They date back to 200 BC–AD 700, and were created by the Nasca society that inhabited southern Peru at the time. There are hundreds of individual drawings, that range from simple lines to more complex but very stylized plants, animal and human figures, the largest of which is about 900 feet long (!)
Sunday, August 23, 2009
I saw Yuken's work at PS1 back in 2005, and it has stuck with me ever since.
By using the method of papercutting, he creates miniature tree sculptures inside paper bags. In the above example, he used a McDonald's bag. The only material used is the paper itself. The trees are incredibly intricate, delicate and they put my grade-school dioramas to utter, utter shame.
See more here.
Friday, August 21, 2009
Thursday, August 20, 2009
JENGA HOUSE
That's right, I said it. J-E-N-G-A H-O-U-S-E. Some geniuses at Sou Fujimoto Architects built a house inspired by the game, Jenga, in Kamakura, Japan. It's essentially a 13' x 13' x 13' cube that's meant to be rented out as a vacation or weekend house, and has a view of the River Kuma.
My inner hippie is smiling ear to ear right now.
Anyone that knows me, knows that I'm a sucker for wood, glorious wood. Preferably raw, unfinished, and slightly irregular. I love it in all its forms...furniture, jewelry, crafts, etc. So, for me, this is heaven. PLUS, it's made of cedar, which means that it must smell sooo good inside! It's like spending a weekend inside a sauna, minus the sweltering heat and a bit of the claustrophobia.
Sure, it has received criticism for not being the most functional space. Waste of wood, waste of space, blah blah. BUT COME ON. Who wouldn't love to explore all of its hidden nooks and crannies for even an afternoon? Personally, I would love to design an office inspired by this space.
Check out more photos here.
Wednesday, August 19, 2009
Tuesday, August 18, 2009
Monday, August 17, 2009
Sunday, August 16, 2009
YINKA SHONIBARE MBE @ THE BROOKLYN MUSEUM
Yesterday, New York was hot, hot, hot. With the seemingly incessant rain we've been getting all season, I was looking forward to a day of abundant sunshine. I grabbed a book and planned on planting myself in front of the Brooklyn Museum for the afternoon (I have the pleasure of living around the corner from it).
I decided to stop in. The first major exhibition of British artist, Yinka Shonibare MBE, is on display right now. I was unfamiliar with his work, so I was looking forward to it.
Yinka was born to Nigerian parents in London. When he turned three, the family moved to Nigeria. In his work, he explores current African identity, as a result of European colonialism of Africa, primarily between the 1880s and the First World War – an era dubbed the "Scramble for Africa".
This subject is especially pertinent to me, as I've been reading Eduardo Galeano's Mirrors (which is the best, most interesting, most informative, best, best book ever...a must-read), which delves into this topic at length.
The piece above is called "Scramble for Africa", 2003. It consists of 14 life-size fiberglass mannequins, fourteen chairs, a table and Dutch wax printed cotton. It highlights the exploration and territorial expansion of England into Africa during the late 19th century. European powers essentially "carved up" Africa, "an act that was formalized at the Berlin Conference of 1884-85".
Their clothing is typical 19th century Victorian dress, but ironically made of Dutch Wax Fabric – which is actually the formal name for what generally referred to as "African print". A lesser-known fact is that these fabrics were originally mass produced in the Netherlands and England and then marketed to buyers in West Africa.
His headless characters (he has said, "It amused me to explore the possibility of bringing back the guillotine in the late 1990s...") at first seemed slightly comical and joyful to me...perhaps due to the explosion of pattern and color. Then I took a second glance and realized his message.
I'm SO glad I stopped in. The show was FANtastic. If you're in NY, or will be visiting, you MUST see this show! It's up until September 20.
Take a look at more pieces from the show here.